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Crucially, she became one of the first country artists to use the internet to market herself, expanding her reach beyond the genre’s traditional heartlands to recruit an army of teenage girl fans.By the time of her second album, Fearless, in 2008, Swift was already shifting away from country (its lead single, Love Story, became her first hit in the UK, where she was marketed as a pop artist).

Despite knowing her height (5ft 10in), I find her taller than I expected and slimmer, too.

Swift has ordered in coffee, apologising for the lack of tea (‘You’re British! ’) and peppers conversation with first-name references to her famous friends.

‘I didn’t think it was going to be international news or affect a public offering,’ she claims.

‘If I have an opinion on something, I act accordingly – and I believe music is valuable.’ She ponders whether she’ll be the last person ever to sell this many records.

Shortly after the family was uprooted, that break arrived.

Swift became the youngest songwriter ever to be signed to Sony/ATV Music Publishing, and a year later a record deal followed with the fledgling label Big Machine, which released her eponymous debut album in 2006.

Her cultural weight – 52.8 million Twitter followers, 22.1 million on Instagram and 74.4 million likes on Facebook – means that she can break acts with a single tweet, and she regularly shines that spotlight on new artists she enjoys.

Her removal of her back catalogue from Spotify resulted in the music-streaming company’s CEO, Daniel Ek, justifying its entire business model.

‘There were so many doomsday theories about the music industry,’ she says.

‘For the last two albums I’d sold one million copies in a week, and I knew people were waiting to see me not hit that number and then diagnose the music industry as dying or dead.

Its lead single, Shake It Off, was an i Tunes number one in 64 countries.

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