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And so the rhythms of this episode are slightly different.

Greg Daniels (executive producer/co-creator): I had an expression that I used in the writers room to describe a scene where the situation was charged, where several characters had different opinions and there was an excuse for them to all sit around and fire off great lines one at a time.

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I called it a “killing field,” like it was just nonstop joke-joke-joke.

They were usually scenes like a diversity-training seminar in the conference room.

Gene Stupnitsky (co-writer): We felt like that was the right time to break up Michael and Jan: once their world blew up in a dramatic, spectacular fashion. She was really our secret weapon, because I think it’s hard to play the straight character in a show like that.

She played the severe girlfriend so well and ended up being a great comedy duo with Steve.

Michael Scott is always the fool, but in this moment he outsmarts Jim and Pam because he so desperately wants to hang out with them.

Jim has a talking head [where the actors speak directly to the camera], and he’s like, “I’m starting to think there was no work thing.” There’s a little bit of a grudging respect to Michael. Show a guy pushing a woman down the stairs.” I’m paraphrasing, but there’s something to that. We’re such huge fans of the British Office and we wanted to write an episode more in that tone.Gene Stupnitsky (co-writer): There’s a quote, “How do you make someone laugh? Lee Eisenberg (co-writer): An episode like this lives a lot in the awkward pauses.A line would happen and the audience, along with the people at the dinner, would just kind of sit there and let it hang.It was almost like an S&M relationship, like he loved being tortured by her or something. ” When Michael broke up with her, in order to get him back, she goes and gets her boobs giant.Melora Hardin (Jan Levinson): When I first started to play Jan, she was incredibly straight and serious and kind of humorless. I just think that’s hilarious, and obviously the beginning of her losing her shit.Lee Eisenberg (co-writer): We set it up so in the cold open Michael pretends there’s an emergency.

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